We’re honored to announce a partnership with Scottsdale Arts and the Boys and Girls Club of Greater Scottsdale to bring their program participants an immersive sculptural workshop experience that they won’t forget!

The workshop is multi-week immersive learning experience, where students will be using upcycled materials to co-create a collaborative sculpture addressing issues surrounding responsible water use. Through the creative process, the students will be exposed to and gain skills in ceramics, metalworking, and aluminum casting, and develop a better understanding of what it means to be an informed and accountable citizen of our planet.

Resident artist Elana Novali worked in collaboration with Norm Pratt of Scottsdale Arts and Cosanti Foundation Director of Education Rob Jackson to create the five day curriculum. Over the course of the month of July, three separate groups of students from around the greater Scottsdale region participated in the fabrication of component parts for a sculpture that will be displayed as part of both the Arcosanti Convergence and Canal Convergence Festival in 2019.

You can read more about the program in this article published by the Scottsdale Independent. 




Remembering the Early Days


California architect Lamont Langworthy
with Jeff Stein

Not everyone reading this is young enough to have worked on Arcosanti. Some folks sought-out Paolo Soleri’s ideas long before there even WAS an Arcosanti. They came, in the 1950’s and 1960’s, to Cosanti, a very different sort of architectural experiment than Arcosanti, intimate in its scale, intricate in how it’s spaces connect, its 5-acres the basis for all non-profits in Paradise Valley. (It’s true: if you’re a non-profit in what is now Phoenix’s wealthiest suburb, you must have property of at least 5 acres. )

Lew Davis, the great depression-era southwest painter and his wife, a ceramicist, had, bought, in 1936, the pink ranch house and 5 acres that would later become Cosanti. By 1956, although Doubletree Road was a dirt track, and even Scottsdale Road was not paved north of Camelback, and there was only one other house within a mile of Cosanti, it was beginning to feel too crowded for the Davis’s. They sold the place to the Soleris and moved to the mountains.

Lamont Langworthy, architect from Graton, California, remembers it this way:

“Paolo and Colly had settled on a large lot on Doubletree Road when D.K. Taylor, an aspiring architect and my mentor, told me that Paolo could use some help building (excavating really) a below ground concrete house. I was immediately hired for $1.00 an hour and everybody was happy.

“Paolo would build a dirt mound on the ground, form some ribs in it, reinforce it minimally with some chicken wire, pour about 1.5 inches of concrete , then dig out underneath it, occasionally installing a column support or wall as we progressed. Every now and then he took off to sketch up drawings of a city on a dam or cities combined with bridges, all on long rolls of butcher paper. While he was doing that, I learned how to mix concrete in the Italian Method: just make a pile of materials and mix it with water. A little bit of dirt thrown in will provide the right color.
“Then, Paolo started making wind bells, having devised a method to support his giant ideas. Occasionally I would go out in the front yard and dig cone-shaped holes in the sandy soil, then fill each one with ceramic ‘slip’, let it set for a while, then suck out the slip when the walls got to be about ¼” thick. Then I’d set it on a shelf for further drying. Later Paolo would quickly carve his magic scribbles on the exterior of the rough cone. After installing a clapper and hanging wires, we would set it on his shady shelf structure to sell to curious passers-by. All bells for the first few years were ceramic but Paolo did improve his designs by making some molds. This was my great work after graduating from the University of Washington Architecture School.

“Cosanti back then was all by itself with desert all around. Paolo and Colly had bought it with a small house and gutted the living area for a large table where we had wonderful lunches by Colly, then a ½ hour siesta per Italian tradition. I learned from Paolo that creative thinkers have to actually do something in the real world. Later on, I would get my contractors license under the name of “The Master Builder, Inc,” as I had to become a builder since no one in his right mind would bid on some of my hillside houses.”

That was then. Today Cosanti, an Arizona Historic Site, is as vibrant as ever, the center of Soleri windbell operations, hosting daily tours and special events, and undergoing continuous preservation/renovation efforts supervised by longtime Cosanti resident and builder and executive VP Roger Tomalty. Roger and workshoppers have made great strides in solving issues of handicap visitor access, solar protection, and have recently completed the total renovation of Soleri’s first office and drafting space, adjacent to the original pink ranch house.

Come for a visit and experience it for yourself as this architectural treasure, a repository of concrete ideas about how to live in the Sonoran desert moves into the 21st century. And if you were part of building this midcentury-modern icon let us know how it was for you. You’ll make it even more meaningful for us.


Saturday, September 14th 2019

Arcosanti’s annual event pays tribute to Paolo Soleri’s wife, Corolyn “Colly” Soleri with a delicious dinner menu of Colly’s favorite foods followed by a classical music performance. This year’s featured performer is Gianluca Guida, a classically trained pianist who hails from Paolo Soleri’s home city of Turin, Italy.

Event Schedule:

4:30 pm Complimentary tour of Arcosanti
5:30 pm Wine and Cheese
6:00 pm Concert : $20 ($10 for students)
7:30 pm Dinner : $20

Tickets available here.


Fryderyk Chopin

3 Mazurkas op. 59 

Moderato Allegretto Vivace 

Polonaise in A flat major, op. 53 “Heroic” 

Ballade n. 4 in F minor, op. 52 

Franz Schubert

Piano Sonata in A major, D959 



Scherzo. Allegro vivace – Trio. Un poco più lento

Rondo. Allegretto – Presto


Summer Salad with Citrus Vinagrette

Watermelon Feta Salad

Cucumber Quinoa Salad


Pasta with Sauteed Peppers and Smokey Mozarrella

Sheet Pan Chile Lime Glazed Chicken

Granny’s borscht


Berries with creme fraiche


Hello Arconauts and others involved in the Arcosanti project! I am excited and honored to “be” here. Thanks for sharing your time. My name is Julian Lauzzana. I lived and worked at Arcosanti during 2005-2006 and return whenever I can. I consider Arcosanti one of my favorite places on the planet. Though I could delve into many areas, I will here explore my thoughts on food systems and peri-urban space in relationship to arcology.

Arcology preserves land with high density human habitat, but what do we do with the “preserved” land? Globally it has been a story of deforestation and export based monoculture. A more holistic approach necessitates that what has been referred to as “camp” by Arcosanti residents becomes a fully integrated piece of the design process. If we can more effectively integrate the edges (wilderness, food forests, gardens) into arcology planning and design, we will create a more comprehensive and livable global design strategy. John D. Liu and others are working on large scale ecosystem restoration camps (ERCs) with significant prior success in Loess region of China and now beginning in various areas of the globe that have experienced soil depletion and desertification. At all these locations there is a great need for housing in these (largely rural) projects. Can we partner large scale ecosystem restoration with production of new arcologies? The ERCs may be one of the largest global projects before us. As the Urban Laboratory, Arcosanti is a great place to experiment and dedicate to prototyping a working model for human habitat around devastated areas (refugee camps, slums, ERCs, etc.).

Since 2011, I have been stewarding a modest community homestead in rural Southwest Michigan we call Earthen Heart LLC. The impetus here was to address the delusional American Dream which exists in the overly romantic version of a family farm. In essence to do an Arco in a rural area. Many young beginning farmers soon get overwhelmed by the amount of work it takes to run a farm, and the social seclusion can also be oppressive for most new farmers. From what I have seen, the farming lifestyle can be more frantic than working on Wall Street as there is no “punch in/punch out” when you run a farm. Most incentives are to go large-scale, monoculture, export based. It is a hustle as much as any career: paperwork, payroll, long hours, managerial stress, etc. Affordable housing is even harder to find in rural areas than in the city, main street shops in rural America have largely been devastated by big box stores, good labor is hard to find, etc.

So what is the appropriate model and scale for rural communities to thrive in tandem with urban areas? It is my belief that small groups of people sharing land and residing on peri-urban and rural areas can provide surplus food and energy to urban communities while living in close proximity for the benefits to be reciprocated. Those who wish for more solitude and proximity to nature can choose to live in that setting either short or long term, while most can live in the city. Through working and living together on a shared property, we can reduce our ecological footprint, and increase our social interaction. Community Homesteads can thus offer a more holistic approach to human habitat in rural areas. It is my personal goal to continue work with others to generate and strengthen networks of land stewards and communities that are dedicated to permaculture and ecosystem restoration camps. I believe arcology as the urban design component should be partnered with peri-urban communities focused on food/medicine production, fiber, wood, building materials, etc. to supply direct needs of the city. High quality/low impact living is important whether you live in the city or in the country. Aligning the needs of various people and lifestyles is an important part of the planning process. If we find a percentage of people wanting to remain in “camp” they should be willing to do some of the related work. At Arcosanti we have a great opportunity with “camp” and agriculture in connection with the cafe at Arcosanti. There is potential to provide a working model of how to integrate rural and urban culture in one comprehensive design system.

Here are a few related links:
Earthen Heart LLC
EcoSystem Restoration Camps
Greening China’s Loess Plateau

Welcome Neighbor! 


In Which

We will be publishing , we hope, what’s on your mind. We have heard from a couple of you already, and we look forward to a broad participation of opinion. Please understand that because you are reading this we consider you an integral part of the Global Arcosanti Community, a group several thousand strong that has the power to change not only this project but the world itself for the better.  We want to hear from you, right here on the Arcosanti Alumni Blog. The mechanics of the blog will be overseen by Arcosanti alum and Cosanti board member Jeff Stein, who is providing the first blog entry. Here it is.  Have a look. Send your responses! Submissions can be sent to jeffstein@arcosanti.org